Thomas Jayne, friend and decorator extraordinaire, has written the outstanding new book: The Finest Rooms in America. It celebrates the decoration of fifty American rooms from the 18th century to the present. He writes about places he knows personally—from grand houses to small apartments—and the elements that contribute to the success of each room. Thomas, himself a Winterthur trained classicist and connoisseur, has deliberately featured a cross section of rooms from California organic to unexpected, elegant and stylish spaces for living and sleeping, relaxing and entertaining. The rooms have been decorated over time and demonstrate the changing preferences for certain colors from the vivid schemes at Mount Vernon, to Mark Hampton’s silver papered bedroom, to the earth tones in Rose Tarlows’ house.

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On January 26th I shared some of my photos of materials that we gathered in preparation for the publication of our HERITAGE BOOK. As I said at that time, we wanted our clients to understand our commitment to the authenticity of our designs and the innovation and quality of our products.

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I always worry that not enough emphasis is placed on the choice of grout color for either ceramic tile or stone. Grout choice is a key element to affect the final outcome of an installation. And not incidentally, it acts as a moisture barrier so that water does not seep behind the tiles creating a mold situation or damage the ceiling below. So, it is very important that the grout choice not be left to the contractor; it is a choice to be made thoughtfully and long before the tile is installed.

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On March 3rd I decided I needed a learning journey and took myself to the Armory Art Show, an international art fair that is a great cultural event in New York. The fair spotlights about 300 galleries from all over the world. Though I did not have time to attend anything but the shows, there are art tours, lectures and panels, receptions, open galleries—especially all over Chelsea—and with the right card, visits to private collections.

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