During our trip to Paris we were fortunate to visit Maison de Verre, a former 18th century townhouse turned into a modern dwelling by Pierre Chareau in 1928. There was no precedent for how he created this house considering that Chareau could not touch the top floor of the existing building. An “old lady” was living there who could not be moved. So he left the top floor intact and replaced the exterior of the lower levels with translucent glass bricks, completely re-imagined the interior space, installed remotely controlled swiveling windows, and divided the interior with perforated metal screens that either rotate or slide. There are no plastered walls in this amazing glass box.

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When I was in Paris I finally got to see one of the 11 exhibits of Damien Hirst’s “Spots” paintings at the Gagosian Gallery. The Complete Spot Paintings 1986-2011 was conceived as a single exhibition shown in multiple locations all over the globe. There are more than 300 Spot paintings, the spots ranging in size from 1/2″ inch to a monumental painting that has only 4 spots, each 60″ in diameter. It is said that there is no single color that has been repeated. The paintings were lent to the exhibition by public institutions and private collections.

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I have written about handmade ceramic tile before and will probably do so again. I recently visited one of my favorite handmade tile factories in Southern California and remembered again why the material is so special. First, it is all organic. Next, there are countless opportunities for customization, from the color to the shape of the trim. It seems that we are in a stone moment, but I don’t want to forget about the beauty of ceramic tile.

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JILL LITNER KAPLAN of Boston, my guest blogger today, has been in the world of design for the past 20 years. An experienced professional, she has an exquisite eye for design, an understanding of client preferences, and a hands on style for managing her projects. I think you’ll love her Repose glass bath for two lucky little girls.

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