At Waterworks, we absolutely love stone. It has a remarkable history that is around 4.6 billion years old, reflecting that its formation is extremely complicated. As the earth was formed, secrets were disguised in multiple layers beneath the surface. When man discovered these hidden gems, quite by accident, he wanted to extract them from gigantic mountains and large mounds. Of course, he had to construct tools and corral thousands of men with their raw strength to haul huge blocks from the site. The early use of levers and fulcrums helped ease the job.

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Gil Schafer is a traditional architect with an affinity for new “old” houses and meticulous restorations. This approach has been informed by childhood homes that resonate with him, particularly a plantation in Georgia lived in for generations by his mother’s family. It was a classical house; dignified, understated and charming, with a well-balanced relationship between the house, its formal gardens and the broader semi-wild landscape that was a large part of the property.

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Several years ago, I had the privilege of visiting Maison de Verre in Paris (1928-32) commissioned by Annie and Jean Dalsace as a meeting place for artists, musicians and intellectuals as well as a place for Dr. Dalsace to practice medicine. It is one of the few buildings Pierre Chareau (with the assistance of Danish architect Bernard Bijvoet) both designed and furnished. The architecture was breathtaking yet rugged with the use of steel and cement, transparent glass blocks, exposed industrial materials. It is an icon of modern architecture.

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I have had an enthusiastic response to my posts about color, so I thought I would continue with this black, white and red powder bath. It is definitely a bold statement for a small space, especially since the ceiling has been covered in a graphic patterned wallpaper.

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